There is something thoroughly satisfying about the reassuring clunk of solid metal. In an era where modern lenses are increasingly engineered out of ultra-lightweight polymers and packed with electronic wizardry, opening a package to find a tiny, cold cylinder of brass, aluminium, and real glass feels like a proper breath of fresh air.
Neil Fellowes Web Log
Field notes and observations of a freelance creative photographer based in Scotland.
Tuesday, 3 November 2026
Friday, 11 September 2026
Between Two Worlds: Flight path to a full-time creative dream
There's a particular kind of quiet that exists in the early hours before the rest of the world wakes up. It’s that threshold space where the demands of the day job haven't quite reached out their fingers yet, and the horizon belongs entirely to whatever you choose to dream up. For a long time, I’ve operated in the space between these two realities - balancing the practical, structured demands of the daily grind with the restless, expressive pull of the camera. It’s the core philosophy behind the Man of 2 Worlds, but recently, that quiet balance received a deliberate, decisive jolt.
Controlled Light and Constant Motion: Upgrading the studio setup
It's no secret that shooting outdoors in Scotland means playing a perpetual game of roulette with the elements. One minute you have glorious, diffused sunlight, and the next you are shielding lens elements from a sideways downpour while the wind tries to turn your tripod into a kite. While I will always love the wild unpredictability of the field, there are times when absolute control over light, reflection, and movement is required - especially when turning the lens toward detailed product work, gear reviews, and featured artifacts for the Man of 2 Worlds videos.
Sunday, 30 August 2026
Up Close and Unfiltered: Giving Ozzie Pop a macro eye......
There is something deeply satisfying about paring things back. While the rest of the digital world is busy chasing real-time algorithms, push notifications, and instant metrics, I’ve been happily retreating in the opposite direction. Notebooks, real ink, 120-roll film in Agnes Bellows, and a deliberate decision to let the blog be the sole home for my work. It’s about slowing down and actually looking at what’s in front of the lens.
Saturday, 1 August 2026
Payday Treats: Unplugging and precision posing
Heavy Metal and Vintage Glass: The Pentax Super-Takumar 35mm f/3.5
There is something thoroughly satisfying about the reassuring clunk of solid metal. In an era where modern lenses are increasingly engineere...
-
I f you’ve been following my antics, you’ll know I’ve been well and truly in "butterfly mode" lately. What does that mean? It mean...
-
If you’ve followed my posts for a while, you’ll know I’ve been on a bit of a journey lately. Not only did I successfully ditch the Adobe sub...