There’s a special kind of thrill that comes with diving into a new photographic format. For me, that format has always been medium format. I absolutely adore the quality, the depth, and let's be honest, the glorious size of those negatives. Specifically, I've always been drawn to the square crop - a perfect 1:1 frame that forces you to compose in a completely different way.
So, when the opportunity arose to pick up a Lubitel 166+, I couldn't resist. This camera, with its twin-lens reflex (TLR) design and reputation for producing that dreamy, distinctive look, was going to be my low-stakes entry point into shooting medium format film myself. My excitement was genuinely high.
The Unboxing of Expectations
Now, here's where things get real. I bought this camera knowing its backstory was a little vague. It was sold as untested, which in the world of vintage or revived film cameras is often code for, "it might be a glorious paperweight." I went into the purchase with zero expectations, treating it more like a fascinating photographic lottery ticket than a guaranteed workhorse.
And honestly? That turned out to be the best approach.
When I finally loaded it up and tried to shoot, the camera definitely had some... personality quirks. The main issue was clear: those all-important light seals around the camera back had seen better days. That meant precious little light-tight integrity, and nobody wants foggy negatives, right? On top of that, the film advance mechanism felt incredibly unstable - a shaky foundation for an already fiddly process. Trying to reliably advance the film without overlapping frames or having it slip was a battle I was rapidly losing.
A Happy Ending, Just Not the One I Planned
You’d think after all that, I'd be frustrated or disappointed. But truly, I wasn’t.
Because I hadn't invested any real expectation into it, the camera's mechanical failings just felt like part of the experiment. It didn't work as a functioning piece of gear, but it fulfilled its destiny as a learning experience. I got to handle the process, understand the mechanics of the TLR, and confirm my love for the medium format idea, even if the camera itself couldn't deliver the negatives.
The upside? While I don't have a new shooting companion, I do have a beautifully crafted piece of photographic history. The Lubitel 166+ now sits proudly on my shelf. With its elegant look and that classic twin-lens design, it’s become a fantastic piece of ornamentation. It’s a great visual reminder of my commitment to one day fully conquer medium format - and a very pretty one at that.
So, the journey to shooting those perfect square negatives continues, but the Lubitel has secured its permanent, if decorative, place in my heart and home.

.png)

.png)
