Getting on with the "Altered States" project, but slowed down a little by YET more software acquiring. That said, good purchases. I've got a good few tracks well and truly underway now and they're currently called:
A Deficit of Attention
The Garden of the Mind
Principles of Uncertainty
The style of this album is already seeing interesting changes from my previous releases, mainly through the use of Softube's Modular synthesizer, which is giving me a nice insight into the world of Eurorack modular synthesis, and the little CRAFTsynth from Modal Electronics. Electronic rhythms, percussive and melodic sequences and droning textures are in in abundance.
With regard the software purchases, there's a few new synths joined the fold as well as a number of interesting processing plugins.
The first synth is the excellent "cross-fusion synthesis" Blue II from Rob Papen. I also use his splendid Albino 3 (very sadly now discontinued) and Predator 2 synths. Blue II is a lot more digital sounding than Albino and Predator, but that's a good thing as it has a whole host of terrific features as well combining FM, subtractive, phase distortion and wave-shaping synthesis. It has truly wonderful presets to get you started and the potential to make interesting new sounds is immense, and the mix is awesome when coupled with Predator 2 and Albino 3.
The second bit of synthesizer software is from XILS-lab and is called Poly-M. It's a positively stunning software emulation of the (in)famous PolyMoog synthesizer and I have to say that it's really captured both my attention and imagination. From a young age, I have always yearned for a hardware PolyMoog - something that is very unlikely to happen. The original hardware PolyMoog didn't enjoy the best of success sadly, and for a number of reasons, not least it's unreliable nature and unstable oscillators. What it did enjoy was a great set of filters and a resonant section (some might call it a glorified EQ section) that gave real life and depth to otherwise weak sounding patches. Although used by a number of prominent musicians, the PolyMoog is best heard on anything done by Gary Numan in his Replicas/ The Pleasure Principle/Telekon eras.The Poly-M captures the essence and spirit of the PolyMoog perfectly, beautifully emulating those resonant filters and running with them, backed up with a very usable modulation matrix which gives any patch animation and substance. The Poly-M is very easy to use, it sounds incredible and, this is the killer, it does so much more than the standard and thoroughly over-used Gary Numan "Vox Humana" sound - no seriously, it does, honestly. I make no apology for my liking of this soft synth, I'm already using it on the "Altered States" project.
I'm also happy to have LennarDigital's rather splendid Sylenth1 synthesizer as part of the GTK2 Studio arsenal. It's a virtual analog synthesizer and looks, on the face of it, to be quite a simple affair, but it's appearance belies it's power. The filters are sharp and sassy and the sound can go from delicate and ethereal to downright big and dirty. This is another synthesizer that I have been interested in for some time, but it's recent upgrade to version 3 and 64-bit status meant it was time to get it on board. No regrets.
On the processing front, I've added a very interesting panning tool from Waves Audio called Brauer Motion - it's billed as an innovative circular auto-panner and I must say, it's doing very pleasing things with sequences and rhythm loops.
Sticking with Waves Audio, they recently decided to make the E-Channel of their SSL 4000 Bundle (three plugins based on the famous and highly regarded Solid State Logic 4000 series mixing console) available as a single plugin - this is very pleasing as the bundle in it's entirety is quite a price, and to get this single channel strip on it's own for a mere $29 was simply a no-brainer.
And a third purchase from Waves Audio was their excellent L2 Ultramaximiser - a very cool and great sounding limiter. I now have the 3 incarnations of this incredible limiter.
I'm a big fan of plugins from Audio Damage and when I saw they had updated their Dubstation to version 2, I was there. I love delays (nearly as much as reverbs!!!) and Dubstation 1.5 was always a favoured delay plugin. Version 2 has a cool new interface and some very interesting new options on board. I doubt it will be used any less than it's illustrious predecessor.
Another big (in terms of plugin numbers!!!) is the acquisition of Nomad Factory's Integral Studio Pack 3. A mega-bundle of processing and effects goodies, it contains no less than 50 separate plugins including some fantastic mastering and tracking plugs. I've been using their PulseTeq EQ on my master buss from the day I got it, so I'm pleased to have been able to avail myself of an expanded collection of Nomad Factory stuff, not least their British Bundle (compressor/limiter and EQ based on classic Neve designs) and Motown Retro Bundle (retro style EQ).
That concludes this update, onward to some more music-making and synth-learning ;-)